Kelake

“To present the musical soul of the masses, of the great factories, of the railways, of the transatlantic liners, of the battleships, of the automobiles and aeroplanes. To add to the great central themes of the musical poem the domain of the machines and the victorious kingdom of Electricity.”
“I unfurl to the freedom of air and sun the red flag of Futurism, calling to its flaming symbol such young composers as have hearts to love and fight, minds to conceive, and brows free of cowardice.”
A few years ago I became enamoured with the audio environment around me. Through my photoblog at that time I had already been noticing and sharing small bits of visual artifacts but noticing interesting signals through all the noise that is present here was something new. When you take the time to listen you may find yourself surprised at the remarkabley diverse array of delightful noise. Your cityscape transforms itself into futuristic noise orchestra that constantly changes, a never ending performance, which in turn completely changes you and your relationship with your city.
And I started to record and think of ways to share what I heard. I decided I wanted to be a sound artist.
A year and a half ago I finished a body of work, well mostly just prototypes and concepts given form, of sound art and tangible UI/interactive art. It was a tremendous learning experience – an education in product development rolled up in less than a year. We exhibited in an entirely appropriate old railway house to some acclaim. Since then I have been lucky to show various pieces at other venues throughout Taiwan. But until now I haven’t had the oportunity to focus entirely on sound art.
This December I will exhibit my traffic series of installations in Puli Taiwan. I wanted to show more, including my ambient room, but budgets would not allow. I’m looking forward to it as a source of inspiration and a break from the doldrums of freelancing.
All the pieces are reltively similar but with different execution. Here are brief descriptions of the pieces:
Traffic 1
“Now we are satiated and we find far more enjoyment in the combination of the noises of trams, backfiring motors, carriages and bawling crowd.
To excite and exalt our sensibilities, music developed towards the most complex polyphony and the maximum variety, seeking the most complicated successions of dissonant chords and vaguely preparing the creation of musical noise.” -The Art of Noises- Luigi Russolo
Traffic 1 is a series of sound vignettes played through custom built enclosures. It communcates through sound various emotions felt during the daily commute through Hsinchu’s streets. Using the simplest tools possible I set out to recreate the sounds I hear when driving in traffic in Hsinchu.
Traffic 2
Traffic 2 attempts to create spontaneous real time auditory compositions or improvisations using data gained from network traffic. A secondary aim is to test our understanding of the usage of network data in the public and private sphere.
We treat the network as an unseen life form – a body in constant change – born from the usage patterns of the users of the system. By using network traffic as a tool for creating music we in effect illustrate this unseen form.
Unlike traditional musical performances, Traffic 2 does not exist over a set period of time. It is in effect never ending and never the same at any given point in time.
Traffic 3
Over a period of time we gathered sound samples from various locations throughout the city of Hsinchu. We edited these samples and tuned them to a specific harmonic structure. We then fed these sounds, over a 100 in total, into our software agent which communicates with our server. The result is a cacophony of sound which could be understood as the city of Hsinchu acting as a Futurist Noise orchestra driven by network traffic.